In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also
a strong influence.
In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence.
In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence.
In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence.
In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence.
In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence.
In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence.
In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence. In contrast to my Waterborne Images I have just completed a series entitled Metaphysica that explores more introspective concerns. In this work I am referencing Henri Matisse’s fascination with windows and how they provide an interface between an exterior and interior world. Windows can also act in a photographic sense as viewfinders on the world, giving an edited, framed, slice of life aspect to our perception. Giorgio Morandi’s meditative still life paintings of bottles are also a strong influence.
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